We’re living in two sides.
There is the world we see (or are made to see) and then there may be the one we sense (and occasionally catch a glance of), the latter of which is a far cry from the propaganda-driven reality manufactured by the government and its particular corporate sponsors, including the mass media.
Indeed, what most Americans perceive because life in America— happy, progressive and free— is really a far cry from reality, where economic inequality is growing, real agendas and real power are buried beneath layers of Orwellian doublespeak and corporate obfuscation, plus “ freedom, ” such that it is, is meted away in small, legalistic doses by militarized police plus federal agents armed to the teeth.
Most is not as it seems.
Monsters with individual faces walk among us. Many of them work for the U. S i9000. government.
This is the premise of Ruben Carpenter’s film They will Live , that was released in November 1988 and remains unnervingly, chillingly appropriate for our modern age.
Best known for their horror film Halloween , which assumes there is a form of evil so dark that it can’t be killed, Carpenter’s larger body of function is infused with a solid anti-authoritarian, anti-establishment, laconic curved that speaks to the filmmaker’s concerns about the unraveling of our own society, particularly our government.
Time and again, Father portrays the government working against its own citizens, a populace out of contact with reality , technology run amok, and a long term more horrific than any horror film.
In Escape from New York , Carpenter offers fascism as the future associated with America.
In The Thing , the remake of the 1951 sci-fi classic of the same name, Carpenter presupposes that increasingly we are all becoming dehumanized.
In Christine , the film version of Stephen King’s story about a demon-possessed car, technology exhibits a will plus consciousness of its own and goes on a murderous rampage.
In In the Mouth of Madness , Carpenter notes that evil grows when people shed “ the ability to know the distinction between reality and fable. ”
And then there is Carpenter’s They will Live , in which 2 migrant workers discover that the planet is not as it seems. Actually the population is actually being managed and exploited by aliens working in partnership with an oligarchic elite. All the while, the populace— blissfully unaware of the real plan at work in their lives— continues to be lulled into complacency, indoctrinated into compliance, bombarded with media distractions, and hypnotized by subliminal messages beamed out of television and various electronic devices, billboards and the like.
It is only when destitute drifter John Nada (played to the hilt by the late Roddy Piper ) discovers a pair of doctored sunglasses— Hoffman lenses— that Nada sees what lies beneath the elite’s created reality: control and bondage.
When seen through the lens of reality, the elite, who appear human until stripped of the disguises, are shown to be monsters who have enslaved the citizenry in order to prey on them.
Likewise, billboards blare out concealed, authoritative messages : a bikini-clad woman in one advertisement is actually ordering viewers in order to “ MARRY AND REPLICATE. ” Magazine racks shout “ CONSUME” and “ OBEY. ” A wad of dollar bills within a vendor’s hand proclaims, “ THIS IS YOUR GOD. ”
When viewed through Nada’s Hoffman lens, some of the other hidden messages being drummed into the individuals subconscious include: NO SELF-EMPLOYED THOUGHT, CONFORM, SUBMIT, REMAIN ASLEEP, BUY, WATCH TV, NO IMAGINATION, and DO NOT QUESTION SPECIALIST.
This indoctrination campaign engineered by the elite in They Reside is shateringly familiar to anyone who has analyzed the decline of United states culture.
A citizenry that does not think just for themselves, obeys without question, is submissive, does not challenge authority, does not think creatively, and is content to sit back and be entertained is a citizenry which can be easily controlled.
In this way, the subtle information of They Reside provides an appropriate analogy of our own altered vision of life in the American police state, exactly what philosopher Slavoj Ž iž ek refers to as dictatorship in democracy , “ the invisible order which sustains your obvious freedom. ”
We’re being fed a series of carefully contrived fictions that bear no resemblance to reality.
Tune out the government’s attempts to distract, divert plus befuddle us and melody into what’s really going on in this country, and you’ll run headlong into an unique, unpalatable truth: what we are usually dealing with today is an authoritarian beast that has outgrown its chains and will not be restrained.
Through its acts of power grabs, brutality, meanness, inhumanity, immorality, greed, corruption, debauchery and tyranny, the government has become nearly indistinguishable from the evil this claims to be fighting, whether that evil takes the shape of terrorism , torture, disease, drug trafficking , sex trafficking , murder, violence, theft, pornography, scientific experimentations or another diabolical means of inflicting discomfort, suffering and servitude on humanity.
We have let the government’s evil-doing plus abuses go on for too much time.
We’re getting fed a series of carefully artificial fictions that bear no resemblance to reality.
Despite the fact that we are seventeen, 600 times more likely to pass away from heart disease than from a terrorist attack; 11, 000 times more likely to die through an airplane accident than from a terrorist plot including an airplane; 1, 048 times more likely to die from a car accident than a terrorist assault, and 8 moments more likely to be killed with a police officer than by a terrorist , we have paid control of our lives to authorities officials who treat us as a means to an end— the original source of money and power.
As the Bearded Man in They Live warns, “ They are dismantling the sleeping middle class. More and more people have become poor. We are their cattle. We are being bred to get slavery. ”
We have bought into the impression and refused to grasp the truth.
From the moment we have been born until we die, we are indoctrinated into thinking that those who rule us do it for our own great. The truth is far different.
The powers-that-be desire us to feel threatened by forces beyond the control (terrorists, pandemics, bulk shootings, etc . ).
They want us scared and dependent on the government as well as its militarized armies for our basic safety and well-being.
They want us distrustful of each other, divided by the prejudices, and at each other’s throats.
Above all, they want us to continue in order to march in lockstep using their dictates as fearful, controlled, pacified zombies.
This brings me back to They Live , in which the real zombies are not the aliens phoning the shots but the people who are content to remain controlled.
When many is said and done, the world of They Live is not so totally different from our own. As one of the characters points out, “ The poor and the underclass are growing. Racial justice and human rights are nonexistent. They have created a repressive society and we are their particular unwitting accomplices. Their purpose to rule rests using the annihilation of consciousness. We have been lulled into a trance. They have got made us indifferent to ourselves, to others. We have been focused only on our personal gain. ”
We, too, are concentrated only on our own joys, prejudices and gains. The poor and underclasses are also growing. Injustice is growing. Inequality is growing. A concern for human rights is nearly nonexistent. We all too have been lulled right into a trance, indifferent to other people.
Oblivious as to what lies ahead, we’ve been manipulated into believing that if we all continue to consume, obey, and also have faith, things will work away. But that’s never been true of emerging regimes. And by the time we have the hammer coming down upon all of us, it will be too late.
So where does that creates?
The personas who populate Carpenter’s films provide some insight.
Underneath their machismo, they still believe in the ideals of liberty and equal opportunity. Their beliefs place them in continuous opposition with the law and the establishment, but they are however freedom fighters.
When, for example , John Zilch destroys the alien hypno-transmitter in They Live , he delivers the wake-up call for freedom. Because Nada memorably declares, “ I have come here to chew bubblegum and stop ass. And I’m categorical of bubblegum. ”
In other words: we need to obtain active and take a are a symbol of what’s really important.
Stop allowing yourselves to become easily distracted by pointless political spectacles and pay attention to what’s really going on in the united states.
As I explain in my book Battlefield America: The War on the American People and in the fictional counterpart The Erik Blair Schedules , the real fight for control of this nation is taking place on roadsides, in police cars, on witness stands, over phone lines, in government workplaces, in corporate offices, in public school hallways and classes, in parks and town council meetings, and in towns and cities across this country.
All of the trappings of the American police state are now in simple sight.
Wake up, America.
If they live (the tyrants, the particular oppressors, the invaders, the particular overlords), it is only because “ we the people” sleep.